We are very excited that the University of Kent’s National Lottery Heritage Funded project ‘Digitizing The War Illustrated’ will make these important world war I magazines available online. I’m in the process of writing a handout for our first workshop (the content will also be available on this blog in due course) and wanted to share a few insights as…
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Digitizing The War Illustrated – First Workshop (27th June, 10am-5pm, University of Kent)
Our first Heritage Lottery-funded Digitizing The War Illustrated workshop will take place on Thursday 27th of June, from 10 am – 5pm, in Studio 7 in the Jarman Building at the University of Kent. At this session, we will introduce attendees to The War Illustrated, equip them with information about how to search the digitised collection online, and provide guidance…
Call for Papers – Audience Lost: Minority Women and Spectatorship
Dear friends of NoRMMA – today I come bearing a call for papers for a conference I (Lies) am co-organising this coming November. It would be great to receive some magazine-related abstracts! CFP – AUDIENCE LOST: MINORITY WOMEN AND SPECTATORSHIP 22-23 November 2019, Ghent, Belgium Keynote speakers: Prof. Judith Thissen (Utrecht University) Prof. Allyson Nadia Field (University of Chicago) In 2002,…
NoRMMA Receives Heritage Lottery Funding For Digitizing the War Illustrated Project
NoRMMA is very happy to announce that its members have been awarded £8,200 from the Heritage Lottery Fund to undertake its ‘Digitizing The War Illustrated’ project. (You can find out more about the National Lottery Heritage Fund on its website: https://www.heritagefund.org.uk/). This allows us to build on Public Engagement NoRMMA carried out between April and June 2017. Over the course…
Dirk Bogarde Beyond the Dirk Bogarde Collection
Today, we bring you the last of Dr Sarah Polley’s posts on the Dirk Bogarde Collection – thank you very much for this fascinating series, Sarah, and we all look forward to reading more of your work in the future! For those of you interested in Dirk Bogarde, please do also consider having a look at the Melodrama Research Group…
Dirk Bogarde coverage in the Dirk Bogarde collection
The previous post looked in detail at some aspects of the collection as a whole. I’d now like to briefly turn to some of the Bogarde-related content I found, especially UK fan magazines. As predicted in the 4th post of this series which outlined the categories I chose for my spreadsheet, I found various types of coverage. Some of these…
A summary of the magazines in the Dirk Bogarde collection
After completing my spreadsheet, I sent an edited version of it (removing the information specifically related to Bogarde to make the other data more legible) to the BFI. While most, though not all, of these magazine share something on Bogarde in common, it is worth giving an overview before turning to dates, countries/languages and other aspects in more detail. The…
Cataloguing the Dirk Bogarde collection
Our friends at the Melodrama Research Group are still in the midst of a series of Dirk Bogarde screenings – do have a look at the blog if you’re interested! In the meantime, here’s another update on the Dirk Bogarde research project, again by Dr Sarah Polley… The collection arrived and was installed in my study by the…
Pre-search: The spreadsheet
In this post I turn more specifically to the matter which prompted this series of posts: the cataloguing of the Dirk Bogarde Collection. I always like to start a project with a spreadsheet since this allows for data to be recorded systematically, legibly, and to be reorganised according to various categories if desired. It would also be the neatest may…
Pre-search: Dirk Bogarde in non-contemporaneous writing and the what (sources), why (the importance), and how (methodology) of star studies
I engaged in other pre-search before the Dirk Bogarde collection of magazines arrived. This involved investigating how much, and in what way, Bogarde appears in written work produced after his main period of stardom. This is not necessary for the cataloguing of the BFI’s collection of magazines and, since it is often retrospective, may in fact cover quite different ground…